Music at Noon Sept 12, 2024 Program Notes

Sept. 10, 2024

Sergei Prokofiev’s Sonata for Two Violins, Op. 56, composed in 1932, is a compelling work that highlights the intricate dialogue between the two instruments. The sonata opens with the Andante cantabile, a movement known for its lyrical and expressive melodies. This is followed by the Allegro, which introduces a lively and rhythmic character with engaging interplay. The third movement, Commodo (quasi allegretto), provides a playful and relaxed contrast, while the Allegro con brio brings the sonata to a vibrant and energetic conclusion, showcasing Prokofiev’s skillful use of rhythm and thematic development.

Darius Milhaud’s Sonata for Two Violins and Piano, Op. 15 (1914) was written in his early modernist style. He described it as the “first chamber work that I did not later repudiate.” The first movement Animé characterized by its vibrant and rhythmic energy. Milhaud’s distinctive harmonic language and energetic motifs showcase his innovative approach to texture and form. The second movement, Modéré has more reflective and lyrical contrast, while the sonata concludes with the the 3rd movement Très vif, it returns to an upbeat and rhythmically driven character, highlighting Milhaud’s playful and inventive spirit.

Five Pieces for Two Violins and Piano by Dmitri Shostakovich showcases a lighter, more accessible side of Shostakovich, in contrast to the common darker and more intense character of his larger compositions. The first movement, “Prelude” starts with simple melodies that set a lyrical and introspective tone. The second movement is a baroque dance “ Gavotte”, where the playful rhythm and lively melody were given a fresh modern twist by Shostakovich. The 3rd movement “Elegy”, is a lyrical movement that gives the violins space to explore a wide range of dynamics and expressiveness. To contrast with the “Elegy”, the 4th movement “Waltz” returns to a rhythmically lighter, yet slightly melancholic melody. The final movement “Polka”, is filled with lively and humorous elements, featuring syncopated rhythms and unexpected accents.