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A small, skinny 8-year-old girl holding a teddy bear stands by the side of a country road with a young man she barely knows. They're hitchhiking from a commune in Quebec to one in California. It is 1973 and somehow the girl's parents think this is a good idea.
Sonja Larsen's is a childhood in which family members come and go and where freedom is both a gift and a burden. Her mother, thrown out of home as a pregnant teenager by her evangelical preacher father, is drawn to the utopian ideals and radical politics of communism. Her aunt Suzie is gripped by schizophrenia, her behaviour so erratic she eventually loses custody of her daughter. And then there is her cousin Dana, shunted back and forth long-distance between her parents – Dana, whose own need to escape leads to tragedy.
Looking for a sense of family, searching to belong, to have your life mean something – this is what all these girls and young women share. As a teenager, Larsen moves to Brooklyn, embedding herself with an organization known publicly as the National Labor Federation and privately as the Communist Party USA Provisional Wing. Over her three years at the organization's national headquarters, Larsen works sixteen-hour day, eager to prove herself. Noticed and encouraged by the Old Man, the organization's charismatic leader, he makes her one of his "special girls," as well as the youngest member of the organization's militia and part of its inner circle. But even as she and her comrades count down the days on the calendar until the dawning of their new American revolution, Larsen's doubts about the cause and the Old Man become increasingly difficult to ignore.
Sonja Larsens’s Red Star Tattoo is a compelling story of the author’s youth in counterculture organizations. Her early political education took place in the communes, where she spent much of her childhood. In her teens, those connections led her to join the idealistic but secretive Communist Party of USA (Provisional Wing). Larsen vividly describes the physical and psychological demands of her life as a cadre, living in highly regimented circumstances while waiting, somewhat passively, for the revolution. She gradually realizes the ideological contradictions of the group, as well as the implications of her relationship with its charismatic, authoritarian leader. Her account is a coming-of-age story as well as a fascinating account of living in a committed but ineffectual political group.
Explore the works of our previous Edna Staebler Award for Creative Non-Fiction winners.